Review: The Company

Easter has just been and, in the dollop of free time preserved by my assiduous refusal to go to things, I did a certain amount of movie watching. My local video shop is the estimable Aro Video Shop, and so there was a wide selection of 'thinky' movies available, and I ended up with the serious art world's answer to Center Stage: The Company.

Happy escapism, this is not. It's about the Joffrey Ballet Company of Chicago, except it isn't set inside the company, it's starring the company. It shows glimpses of the working and personal lives of the company members over a period of time, roughly the amount of time it takes to produce a new ballet from the first meeting with the choreographer to the first night, with frequent interspersements of the performances that the company is working on in the meantime. It's not at all linear - the fragile threads of story that you end up seeing are built out of a mosaic of small private moments, often of people you don't know the name of, and will never know the endings of. The mosaic style of movie (or book), I confess I find quite tiring to watch, all the information comes out of small details and you need to pay constant attention to keep track of what's happening. It was also filmed in an uncomfortable manner. There were lots of long and medium shots with very few closeups, often dark lighting, or shots looking straight at the stage lights, the view was frequently obscured by other people and various furniture, and I realised after a while that we never got to see anyone's eyes or feel that the people filmed were looking at us, which added to the uncomfortableness of it. As with other works that are built as a mosaic, somewhere between a third and two thirds of the movie I found I was wondering why I was still watching.

In this movie, the answer is the dancing. It's absolutely gorgeous. There are no body doubles or camera tricks to make people look better than they are, this is pure unadulterated magical movement, and the nett result of the camera and lighting weirdness is the closest experience to actually being at a live performance that I've seen. The company has a wide repertoire, from the opening (to an electronic soundtrack) of dancers in a weirdly abstract sequence with the rustle of long ribbons and the pat of the dancers' feet as the main sounds heard, to the excursions into classical ballet, exquisite solo pieces, and the final production number of the Giant's Mouth, it's all wonderful. Often the dancing pieces appear without comment or explanation, simply as the performance that the company is working on just then, often we are shown the progression from rehearsal into final performance.

Just lovely.